Katey’s musical education was provided by K-Tel. Her teachers
were Prince, Joni and both Elvises; Dolly, Depeche Mode and Duran
Duran; Cyndi and Kenny (Rogers, not G); Chaka and Supertramp, Bowie and
Babs. As a youngster, it was a grueling daily regimen of listening,
learning, mix-tape making and singing into the mirror. Her first band
had a name too embarrassing to mention. Her next one did too, and so
did the one after that.
As a young adult, she suffered
through two
years of music school, quit, and retained little to none of the
information that was imparted to her there. She joined a rock
band…then a funk band, then another funk band and then a
trance outfit. Many years later, she formed a jazz combo, and with the
guidance of some of Toronto’s most renowned, skilled and
patient Jazz makers, she came into her own, musically speaking, and
finally learned how to be a real musician.
Jazz is not Katey’s
genre, though it has been close by since
7th grade Jazz choir. It makes an appearance in her melodies and chord
structures, but it has no authority in her writing. Folk is not
Katey’s genre either, though you can hear it in her voice,
and the rawness of her music. Pop is not Katey’s genre,
though she loves a hook as much as the next guy, and knows where to
place them in her tunes. Rock, well, who doesn’t love a fat
lick and doing the splitz while strumming hotly on an air-guitar? Jazz,
Folk, Pop, Rock—they’re in her blood, and in her
music, but Katey’s sound is all her own…. just not
in a pretentious way.
Katey’s forthcoming
album
“Heart Full of Thumbs" is
co-produced by
Duncan
Coutts, of Our Lady Peace,
and Scott
Curry (Emily Haines), and
it features some of Toronto’s awesomest guest musicians:
Jeremy
Taggart (OLP), Maury Lefoy (Jann
Arden/Ron Sexsmith), Dafydd
Hughes (Feist/EATT), Jody Brumell
(Zepplinesque) to name but a few. A
special guest appearance by Garth Hudson
of The
Band is the cherry on
top of a musically delicious debut solo effort. ”Heart Full
of Thumbs” will be
available Spring 2010.
