"Vivek Shraya possesses all the qualities needed to become a Canadian musical star.... [His] intense delivery comes out on each song and engages you in his abstract lyrical and melodic writing. A Composite of Straight Lines is definitely worth checking."
– Lina Nimjeh, SceneandHeard.ca
"The best thing about Vivek Shraya is his voice. It's an incredibly powerful instrument, and, as his most recent EP—last year's A Composite Of Straight Lines—shows, he knows how to use it to his advantage. Songs like 'Logic Vs.' and 'The Alphabet' showcase his powerful pipes, with his vocals blowing the music out of the water completely... and makes you believe that Shraya's impending stardom is a matter of 'when' rather than 'if'."
– Matthew, iheartmusic.net
"...A Composite of Straight Lines features some very compelling and individual song structures, expressive acoustic-guitar-based instrumentation, satisfying use of space and tempo and… some smart and poetic lyrics."
– Elizabeth Bromstein, NOW Magazine (3/5)
"You'll fall head over heels in love with his voice, which hovers between gentle and tortured…. I call it uplifting sadness."
– Sandra Sperounes, The Edmonton Journal
"He proves that it is still possible to create a completely original song with just a voice, a meaningful message and a guitar…. True art recognizes the beauty in the madness, and Vivek has done just that."
– Nicole Gilbertson, littleslean.com
"I was immediately impressed by the soulful flow of the lyrics and the intriguing vocal line, but even more drawing was his powerful and moving voice that combines strong technique with a raw, visceral eloquence. Perhaps the most engaging voice I have ever heard…. I believe his musical style, unique voice and creative hunger will make him a great Canadian success story."
– Kathleen Arnold, Wild Sage World Arts Company
"When [Vivek], focused and intense, starts performing, it's like a newborn emerging—strident, soulful and strong…. A love for and knowledge of contemporary music has given Vivek's songwriting a fine sense for 'listener-stickable' melodies."
– Kirby, of See Magazine